Last Updated：2022/12/24
In its lean arrangements, her band conjured both traditions and possibilities: the tambourine and strummed cavaquinho (miniature guitar) of samba for “Na Gangorra,” a loungey acid-jazz pulse and hints of reggae for “Vento No Canavial,” African-tinged funk in the Vinicius de Moraes-Baden Powell song “Consolaçã” and in the French songwriter Camille Dalmais’s “1, 2, 3.”
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In
its
lean
arrangements,
her
band
conjured
both
traditions
and
possibilities:
the
tambourine
and
strummed
cavaquinho
(miniature
guitar)
of
samba
for
“Na
Gangorra,”
a
loungey
acid-jazz
pulse
and
hints
of
reggae
for
“Vento
No
Canavial,”
African-tinged
funk
in
the
Vinicius
de
Moraes-Baden
Powell
song
“Consolaçã”
and
in
the
French
songwriter
Camille
Dalmais’s
“1,
2,
3.”
