In this section we propose to contribute to the general project of connecting chance and credence by showing that Reichenbach’s objectivistic approach is intimately linked to subjectivistic Jeffrey conditionalization.

In the latter case — if only a handful of people knew the term — it would have been pretty pointless for Cleland to name his protagonist Fanny when practically nobody was likely to get the joke, not even cognoscenti such as Grose.

A stout Burmese woman, wife of a constable, was kneeling outside the cage ladling rice and watery dahl into tin pannikins.

The Flute and Principal jump an octave at high pressures, while the Quintade can be heard at the 8’ fundamental using low pressure on the cone-pallet box and can then overblow to the tierce at 90 mm WC.