The violinist tuned her instrument to A♯ before the concert.

She transposed the song into C♯ to suit the vocalist's range.

During rehearsal, the pianist corrected several misplaced A♯s in the score.

The composer insisted that the second theme begin on B♯ to achieve the intended brightness.

The composer wrote a passage in E♯ that left the orchestra puzzled.

The guitarist tuned the song to D♯ for a brighter sound.

The orchestra tuned to G♯ before the rehearsal.

She tuned her guitar to match the vocalist's high passage in F♯.

The orchestra tuned to the D♯s before the rehearsal began.

The composer wrote several E♯s into the score to create a bright, unexpected modulation.