The director, Kate Bushmann, made resourceful use of the church in a semistaged production that relied on minimal props[…].

…he was bounding over the heads of the maidens, and making his feet skimmer against the ceiling, enjoying, the while, the most ecstatic emotions.

Divorced from Allan Wayne after a tempest-tossed marriage notable for locking each other out and scares over alleged kidnapings of their daughter, she married Arnold Grant in 1962.

Harmony should be reached through the optimalization of links among (self-)reflection, integrativity, creativity and (self-)criticism, facing the main (and at the same time global) danger of unculturality, especially of barbarity against humanity and ecological indolence.