Last Updated：2025/12/31
Sentence
The
characters
are
all
quirky
and
life-size
(the
Dillon
character's
superstitiousness
is
one
of
the
principal
motors
of
the
plot,
and
the
story's
outcome
doesn't
prove
him
wrong),
and,
as
with
the
burglaries
in
Breaking
In,
the
treatment
of
drugs
is
refreshingly
free
of
either
moralizing
or
romanticizing.
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The characters are all quirky and life-size (the Dillon character's superstitiousness is one of the principal motors of the plot, and the story's outcome doesn't prove him wrong), and, as with the burglaries in Breaking In, the treatment of drugs is refreshingly free of either moralizing or romanticizing.
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