Last Updated：2022/12/22
Sentence
When
the
album
succeeds,
such
as
on
the
swaggering,
Queen-esque
“Nothing’s
Gonna
Stop
Us,”
it
does
so
on
The
Darkness’
own
terms—that
is,
as
a
random
’80s-cliché
generator.
But
with
so
many
tired,
lazy
callbacks
to
its
own
threadbare
catalog
(including
“Love
Is
Not
The
Answer,”
a
watery
echo
of
the
epic
“I
Believe
In
A
Thing
Called
Love”
from
2003’s
Permission
To
Land),
Hot
Cakes
marks
the
point
where
The
Darkness
has
stopped
cannibalizing
the
golden
age
of
stadium
rock
and
simply
started
cannibalizing
itself.
And,
despite
Hawkins’
inveterate
crotch-grabbing,
there
was
never
that
much
meat
there
to
begin
with.
Quizzes for review
When the album succeeds, such as on the swaggering, Queen-esque “Nothing’s Gonna Stop Us,” it does so on The Darkness’ own terms—that is, as a random ’80s-cliché generator. But with so many tired, lazy callbacks to its own threadbare catalog (including “Love Is Not The Answer,” a watery echo of the epic “I Believe In A Thing Called Love” from 2003’s Permission To Land), Hot Cakes marks the point where The Darkness has stopped cannibalizing the golden age of stadium rock and simply started cannibalizing itself. And, despite Hawkins’ inveterate crotch-grabbing, there was never that much meat there to begin with.
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