This actress was an amiable woman; and Madge enacted Celia in As You Like It at her benefit without any revival of the dread of Shakespeare which the tragedian had implanted in her. She was now beginning to tread the boards with familiar ease. At first, the necessity of falling punctually into prearranged positions on the stage and of making her exits and entrances at prescribed sides, had so preoccupied her that all freedom of attention or identification of herself with the character she represented had been impossible.