At the other extreme, last year's Mordecai Richler: Leaving St. Urbain by Reinhold Kramer focused (rather overearnestly) on Richler's writing itself.

The fifth wall is the ceiling. Ceilings can be painted a color, painted with special effects, or wallpapered.

He conceived by that which he found in himself, the irrepugnable voice of Cupid, and considered (by that he knew too well) the unbridled fury of cruel...

[…] for example, Gleitman (1990:30), in support of her claim for universal alignments of syntax and semantics, argues for the universal naturalness of three arguments for 'put' verbs (a putter, a puttee, and a location).