The label closely observed the shifts in techno during the 90s, being a staple source of ‘darkside’ hardcore in 1992.

The cavities or cells run horizontally, and the blocks are dovetailed together at the joints, and united with strong-guaged plaster of Paris and lime putty, or air-slacked lime. They are set fair, and dressed with scrapers, forming a surface suitable either for paint or paper.

And the Coaſt towards which the lines KL and VX are drawn, may be call’d the Coaſt of unuſual Refraction.

I think that theories like mereological nihilism are interesting in the way that epistemological skepticism is interesting, the main question for both being how do we avoid this?