It was not until 1889, however, that Nat Goodwin's talent as a comedian of the “legitimate” type began to be recognized. From that time he appeared in a number of plays designed to display his drily humorous method, such as Brander Matthews' and George H. Jessop's A Gold Mine, Henry Guy Carleton's A Gilded Fool and Ambition, Clyde Fitch’s Nathan Hale, H. V. Esmond's When We Were Twenty-one, &c.

How are you feeling? / Not so hot.

With the reverberate sound the spacious ayre did fill

When they brought in that keg, I knew I was going to get shitfaced.