In The Farm, Miró uses some aspects of Romanesque style. For example, the size of various details does not accord with nature and perspective, but rather with Miró's feeling about their importance.
[E]ach part so moved does by that motion exert a conatus of protruding and displacing all the adjacent Particles.
Well, what do you know about that, Gentile America? Supergoy, a gonif! Steals money. Covets money. Wants money, will do anything for it. Goodness gracious me, almost as bad as Jews - you sanctimonious WASPs!
'My own little wifelet.' Harriet hung her head. 'Why not Sally-Anne? Why me?' Why indeed, he wondered, looking at the big blonde child who fate had proclaimed should be Mrs Grenderlyn?
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