Despite the frequent bric-à-brac dimension to such collections, these theatres of nature invited an appreciation of nature rather different from the Renaissance Wunderkammer which had preceded them.
The fruit was treated with an antibrowning agent.
[…] St. Bede's at this period of its history was perhaps the poorest and most miserable parish in the East End of London. Close-packed, crushed by the buttressed height of the railway viaduct, rendered airless by huge walls of factories, it at once banished lively interest from a stranger's mind and left only a dull oppression of the spirit.
He said that the geometry of the dream-place he saw was abnormal, non-Euclidean, and loathsomely redolent of spheres and dimensions apart from ours.
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