Again, the contextural expressions are of the self-same nature, both those that follow in the allegory, namely, the silver cord, and the golden bowl: and also those that immediately precede, namely, the grasshopper, and the almond-tree […]

The sun was setting, and the Eiffel Tower was a dusty rose in the distance.

The yeast seems to take up some of the malolactic bug by-products, especially diacetyl, and therefore reduces that butterscotchy aroma.

Every Printing-houſe is by the Cuſtom of Time out of mind, called a Chappel; and all the Workmen that belong to it are Members of the Chappel: and the Oldeſt Freeman is the Father of the Chappel. I ſuppoſe the ſtile was originally conferred upon it by the courteſie of ſome great Churchman, or men, (doubtleſs when Chappels were in more veneration than of late years they have been here in England) who for the Books of Divinity that proceeded from a Printing-houſe, gave it the Reverend Title of Chappel.