the uncomfortable attendments of hell

Not possible; for who shall bear your part / And be in Padua here Vincentio's son; / Keep house and ply his book, welcome his friends, / Visit his countrymen, and banquet them?

There's many times that we've loved / We've shared love and made love / It doesn't seem to me like it's enough

In his analysis of ceroc classes, Jonathan Skinner (2003: 16) describes how the grammar, tone and movements of the lessons have clear structure to their teaching which allows a safety valve for the expression of erotic play and sexual desires; as one dancer commented, these were 'nights to act out and act up, to perform, feign illicit passions and create romantic impersonations within a carefully controlled and contrived social matrix'.