We carried her over the bridge.

Even Hilton, who stresses the highly syncretic nature of Kongolese Catholicism, sees Mary as particularly important to seventeenth- and eighteenth-century Kongolese Christianity: […]

the diazeutic tone, which, like that from F to G in modern music, lay between two fourths, and, being joined to either, made a fifth

The only explanation I can offer is that the diligent pornographess was already back at work on her next endeavor.