The tempest which was used mainly as a symbol of adverse fortune in the Comedies and more subtly, though only imagis-tically, in the Histories, becomes from Julius Caesar onwards violent in effect and meaning, closely in-knitted in the whole.

These were ordinary stage-coach bodies, which permitted through the doors and windows a clear view of the passengers within, who, in the old drawing of the train, are seen sitting in pairs on each of the three inside seats, in solemn, stovepipe-hatted dignity.

Yesterday I had a foodgasm. I bought some sun-dried tomatoes from the olive seller in Leicester market. Got home, popped one in my mouth... chewed...

And thus may the slow and imperfect wits of mortals be satisfied, that Providence to the Deity is no moliminous, laborious and distractious thing.