This is exciting, high-strung, Horowitzian pianism that is tempered by unfailing good taste, tonal subtlety, and a true sense of Lisztian style.

It is of a self-evolving and genetic nature, and thus is contradistinguished from governments founded on extrapopular principles, such as divine right.

“This,” cried he, “is a manœuvre I have been some time expecting: but Mr. Harrel, though artful and selfish, is by no means deep.”

… whom we watch as we watch the clouds careering in the windy, bottomless inane, or read about like characters in ancient and rather fabulous annals.