Last Updated：2022/12/24
The remarkable tenor qualities of De Muro, especially in the ardent incisivity of his high register, the manly warmth of his tone and his exceptional breathing (Fiato), as well as his uncommon qualities of interpretation, capable of violent dramatic impulse and of lyric inflexion, remain documented in the excerpts he recorded of “Isabeau” in 1912, a testimony, at least auditive, of what was his legendary Folco.
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The
remarkable
tenor
qualities
of
De
Muro,
especially
in
the
ardent
incisivity
of
his
high
register,
the
manly
warmth
of
his
tone
and
his
exceptional
breathing
(Fiato),
as
well
as
his
uncommon
qualities
of
interpretation,
capable
of
violent
dramatic
impulse
and
of
lyric
inflexion,
remain
documented
in
the
excerpts
he
recorded
of
“Isabeau”
in
1912,
a
testimony,
at
least
auditive,
of
what
was
his
legendary
Folco.
