Not surprisingly, moreover, it was divided on gender lines, the Québécoise (women) reviewers for Le Journal de Montréal and CITÉ-FM radio alone giving the production rave reviews.[…]Finally, Marie Labrecque, in her (generally balanced) article about the “controversy” over the production, quotes a number of prominent (male) Québécois playwrights who agree that “la seule chose qui reste pareille, c’est le texte.”