Over tea and buttered toast, with feet on the fender, slippered and tea-gowned, to the adjunct of the fragrant cigarette, what pleasanter theme than one’s neighbours’ faults and peccadilloes?

Picking up eight years after The Dark Knight left off, the film finds Gotham enjoying a tenuous peace based on Harvey Dent’s moral ideals rather than the ugly truth of his demise.

One of Lewis’s challenges to linguistic ersatzism focuses on the inelimanibility of modality in connecting different levels of ontological description.

Nor had it been difficult to find a Coptic priest who, together with his youthful novice, chanted the seemingly interminable Egyptian service of the dead […]