When racially charged killings in the 1980s unstitched already flimsy race relations in the city, the Slave Theater grew to be more than just a movie house, it became a symbol and center of black activism.
You have to give director Colm McCarthy, a Scottish TV veteran making his feature film debut, and writer Mike Carey, adapting his own novel, credit for attempting the seemingly impossible task of doing something new with the zombie subgenre.
1973-04-08, Philip Zimbardo; W. Curtis Banks; Craig Haney; David Jaffe, “The mind is a formidable jailer: A Pirandellian prison”, in The New York Times Magazine, 6, page 36:
But the events of that Friday became the signal for a rampage throughout the city against anyone and everyone suspected of Venizelist sympathies.
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