Last Updated:2022/12/24
Not the real deal, like the films of the great Senegalese-born auteur Ousmane Sembène, whose 1966 drama “Black Girl” is a classic of postcolonial cinema, and whose 2004 film, “Moolaadé,” manages to tackle the issue of female genital mutilation and critique patriarchic Islam in one entertaining package (really).
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Not
the
real
deal,
like
the
films
of
the
great
Senegalese-born
auteur
Ousmane
Sembène,
whose
1966
drama
“Black
Girl”
is
a
classic
of
postcolonial
cinema,
and
whose
2004
film,
“Moolaadé,”
manages
to
tackle
the
issue
of
female
genital
mutilation
and
critique
patriarchic
Islam
in
one
entertaining
package
(really).