Last Updated:2022/12/24

Not the real deal, like the films of the great Senegalese-born auteur Ousmane Sembène, whose 1966 drama “Black Girl” is a classic of postcolonial cinema, and whose 2004 film, “Moolaadé,” manages to tackle the issue of female genital mutilation and critique patriarchic Islam in one entertaining package (really).

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