Following this formula, Harmony Hammond chose an exhibition of her dark, potent, meaning-layered paintings to be complemented by the work of Haleh Niazmand.

The floor was of ant-bed, the stuff of the termites' or white-ants' nests, which when crushed and wetted and beaten hard makes serviceable cement.

My bride, / My wife, my life. O we will walk this world, / Yoked in all exercise of noble end, / And so thro' those dark gates across the wild / That no man knows.

Mrs Johnston died at thirty, and left behind three young daughters.