It is in fact far more probable that, as Langedijk suggests, the habit of portraying Cosimo in grandducal robes was introduced only after his death.

An apparent deterioration in productivity during the twentieth century [in the northern Horn] has undoubtedly been linked with the enormous increase in human population brought about by a combination of improved medical facilities and the discouragement of homicidal activities.

Through his will to extend himself upward and away from gravity, the dancer counteracts weightfulness and creates a balance of upward-ness.

He managed to talk his way out of painting the fence.