The nervous soldier fired off a few more rounds into the darkness.

The distribution of instruments is fairly traditional, but with piccolo trumpet and bass trombone to explore extremes, and bells, gongs and tam-tams to variegate the sound. Such exoticisms as the xylorimba (Richard Fitz) and glockenspiel (Jeffrey Milarsky) are introduced along with the sounds of shifting sand.

Whilst there are many aspects of both the interview data and their analysis that I could choose to focus on here, it may lead to a thin, possibly falsely chronological and over-simplistic/over-authored narrative.

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