Reggie Clemons has one last chance to save his life. After 19 years on death row in Missouri for the murder of two young women, he has been granted a final opportunity to persuade a judge that he should be spared execution by lethal injection.
It was a quiet wedding. . . . Marshall P. Wilder, the humorist, who is a warm personal friend of the bride, stood up with her, and Mr. Cramer, who is connected in an editorial capacity with Frank Leslie's Illustrated Weekly, and Mrs. Cramer, were the only other witnesses.
In the Exopolitics model, life-bearing planets such as Earth are members of a collective Universe whole that operates under universal law.
Here the airless, awkwardly shaped gallery is redeemed by several curiosities of postpainterly abstraction, among them Richard Kalina’s “Luquillo” (1970), a painting-sculpture hybrid made from polyester striped with acrylic and then folded, and Nicholas Krushenick’s neon-bright geometric silkscreens from the late ’60s.
