Out on Fort Street, a pavement princess was sitting on the sidewalk with her back to a lamppost and her legs stretched out.

As an artist keenly attracted to Western Australian gums, specifically karris and tuarts, van Raalte prioritized imaginative figurations of trees, rather than humans, in his etchings.

Our summons was answered by its owner, a well-to-do, substantial, middle-aged planter, wearing the ordinary homespun of the district, but evidently of a station in life much above the common corn-crackers I had seen at the country meeting-house.

This fact is not otherwise important than as it tends to prove, that no verbatim et literatim copy of the original has as yet been published.