Mine eare is much enamored of thy note; / So is mine eye enthralled to thy ſhape.

In Always On, Naomi Baron […] argues that because we write more than ever before, an inattention to how we write has crept in, a sense of 'linguistic whateverism'.

Increases in one experiment ranged from 10 to 200 times the preseed rainfall from the individual clouds, [....]

[…] And maybe one works, but in the long run what it does is it robotizes the process.