The lyrics were in several West African languages, and the lineup paired African instruments — the kora (the djelis’ 21-string harp-lute), the xylophonelike balafon, the small banjolike ngoni and the booming djembe (hand drum) — with modern counterparts: electric guitar, bass, keyboard and trap drums.

She realized to her horror that she had unwittingly helped those people she most despised.

We have to be able to demonstrate that it is not just a paper engine but a real engine

There is an hour or two, after the passengers have embarked, which is disquieting and fussy.[…]Passengers wander restlessly about or hurry, with futile energy, from place to place. Pushing men hustle each other at the windows of the purser's office, under pretence of expecting letters or despatching telegrams.