The major characteristic of French ‘statuomania’ was its democracy, anticipating that of the war memorials after 1914-18.

This basic structure was used as long as the medieval Latin lyric flourished; the goliardic poems of the twelfth and thirteenth centuries still retain it.

I had the honour of being a favourite eleve of his—and in some instances, have improved on his ideas.

This emphasis on the funerary interpretation has served only to depotentize Egyptian religion and to distort our understanding of ancient Egyptian religious sensibility.