Their focus is on group bonding, and the euphoric, almost transcendental experience of becoming one with the music and the crowd (which sounds like a version of what the anthropologist Victor Turner called ‘communitas’—an intense, intimate, liberating kind of group bonding, experienced only in ‘liminal’ states).]

One of her chief informants is Alicent’s handmaiden Talya (Alexis Rabin), whose inside info runs so deep that she’s the first to catch wind of Viserys’ death.

And he brought up Hadassah, that is, Esther, his uncle's daughter: for she had neither father or mother, and the maiden was fair and beautiful.

[…] many Gods breedeth heathens miseries, many countries trauailers humors, many wiues mens purgatories, and many friends trustes ruine: