Even in the confident era of bourgeois patriarchy prior to 1848, actresses had ben, at best, disgraced women who might atone for their mistakes through self-sacrifice. In the three ensuing decades, fear of pornocracy had run high. Could views of theater women transcend fears of sexual indulgence and seduction so that actresses might become honored citizens? Would they ever take their places as members of the second sex along with bourgeois wives and mothers? Improbable before 1880, these changes were realized under the Third Republic.

In Toowoomba, Magistrate Kearney was up in arms over the bodgies and widgies in town – those dressed-up teenagers with their spruced hair and polka-dot dresses who loitered around the city streets. They were seen as a threat to society.

I'm of course talking about Hubbard's books (including Book One) being extensively rewritten, and Scn's decision to remove any mention of LRH from materials intended for wogs.

The law of banality, one of the most oppressive products of feudalism, was revived for the advantage of the nobility.