Last Updated：2022/12/24
When the album succeeds, such as on the swaggering, Queen-esque “Nothing’s Gonna Stop Us,” it does so on The Darkness’ own terms—that is, as a random ’80s-cliché generator. But with so many tired, lazy callbacks to its own threadbare catalog . . . Hot Cakes marks the point where The Darkness has stopped cannibalizing the golden age of stadium rock and simply started cannibalizing itself.
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When
the
album
succeeds,
such
as
on
the
swaggering,
Queen-esque
“Nothing’s
Gonna
Stop
Us,”
it
does
so
on
The
Darkness’
own
terms—that
is,
as
a
random
’80s-cliché
generator.
But
with
so
many
tired,
lazy
callbacks
to
its
own
threadbare
catalog
.
.
.
Hot
Cakes
marks
the
point
where
The
Darkness
has
stopped
cannibalizing
the
golden
age
of
stadium
rock
and
simply
started
cannibalizing
itself.
