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It consists in gumming together long strips of words [that] have already been set in order by someone else, and making the results presentable by sheer humbug.

The pupil, thus affectionately invoked, at length came stumbling into the room; a queer, shambling, ill-made urchin, who, by his stunted growth, seemed about twelve or thirteen years old, though he was probably, in reality, a year or two older, with a carroty pate in huge disorder, a freckled, sunburnt visage, with a snub nose, a long chin, and two peery grey eyes […]

On the one hand, the literary use of Spanish is a mark of resistance to the American notion of a literary homoglossia (to use Bakhtin's term), in particular to the Anglocentrism of the East Coast literary establishment.