In conjunction, much freight traffic was to be dieselised under the W.R. scheme.

[…] the intimate revelations of young men or at least the terms in which they express them are usually plagiaristic and marred by obvious suppressions.

—Why is it like this? —Eh, It's like that eh.

Richard Leacock's 1981 film portrait, Louise Brooks, was shown during a retro of Ms. Brooks's films at the Walker Art Center.