In Miller's view the play is expressive of a peculiarly Renaissance vision of the harmonious marriage within the orderly society: 'its spirit derives from Elizabethan Puritanism's view of the household as an orderly place in whichc the marriage is consecrated not in the church but in the orderly procedures of domesticity ; in which obedience is required , not in order to preen the male pride of the father, but to restore order in a fallen world '