The more frequent and insistent the camera's gaze, the more hypertheatrical the acting; the more the camera has to go in search of an actor who pretends not be aware of it, and to exist without it, the more naturalistic and documentary the acting seems (portraits of a lunatic, a prisoner or an amateur actor).

Then ſince (quoth ſhe) the terme of each mans life / For nought may leſſened nor enlarged bee, / Graunt this, that vvhen ye ſhred vvith fatall knife / His line, vvhich is the eldeſt of the three, / VVhich of them the ſhorteſt, as I ſee, / Eftſoones his life may paſſe into the next; […]

Yes, he's a relation of mine, but only a distant one.

A Remainer turned “Re-Leaver”, he wants Conservative MPs and members to know he’s a fully paid-up Brexiteer because, along with about 20 rivals, he wants to succeed Theresa May.