Naturally, such an interpretation must remain a wholly subjective matter even if one were to follow to their logical limits the clusters of Foucauldian and Quirkian beliefs about languages […]

”Fleabag,” Phoebe Waller-Bridge’s critically acclaimed British dramedy, featured a young woman whose strongest character trait — being horny — was decidedly not male.

I have been employed from the day of action to that of the capitulation, in redoubting our Camp beyond insult

I can ride a horse bareback.