For if a peer come like a porter jacketed, Retire he must:—tho’ up he raise his back at it,

We do not concern ourselves with the nonbelieving public.

There is a bridge over the river.

John Covach (2011), “The Hippie Aesthetic: Cultural Positioning and Musical Ambition in Early Progressive Rock”, in Mark Spicer, editor, Rock Music, Routledge, DOI:10.4324/9781315088631-4, →ISBN, page 65: “Among rock critics and journalists, there is an overwhelming bias to view the late sixties in a positive light and seventies music as an unfortunate decline into commercialism at the expense of musical authenticity.”