Would you say it was fair to describe these salesmen that were in your crews as dynamiters, or suede shoe salesmen?

Mazzucchelli particularly has it in for Willy Ilium, a snooty, priapic little choreographer whose work consists of postmodern appropriation and recontextualization.

This passage is forte, then there's a diminuendo to mezzo piano.

And the stepfriend Tori-Taube. The perfect alibi as friend, as friend's wife.