The power of the parodist was native to the Francian genius and was almost always implemented for reasons that […] finds support for its pejorative appraisal in France's lack of originality, […]

As to the depriving the defendant of waging his law, it was thought, the practice merited discouragement, as a temptation to perjury.

We layed low until after dark, then mounted without the bugle sound.

“Murder Makes the Mare Co,” by Jack Oolph, deals with horse-loving Doc connor who dredges Into the lives of his Broadway clientele to learn the answer to an equicide and the murders preceding the death of a promising mare.