chorus

[W]ee would that the voice and dialect of the propheteſſe Pythia, reſembling the ſpeech of a Chorus in a tragedie from a ſcaffold, ſhould pronounce her anſwers not in ſimple, plaine, and triviall termes, without any grace to ſet them out, but with Poeticall magnificence of high and ſtately verſes, diſguiſed as it were with metaphors and figurative phraſes, yea, and that which more is, with ſound of flute and hautboies: […]

And the Apocalyps of Saint Iohn is the majeſtick image of a high and ſtately Tragedy, ſhutting up and intermingling her ſolemn Scenes and Acts with a ſevenfold Chorus of halleluja's and harping ſymphonies: […]

Enter Chorus. / [Chor.] Cut is the branch that might haue growne ful straight, / And burned is Apolloes’s Laurell bough, / That sometime grew within this learned man: […]

The performance of the chorus was awe-inspiring and exhilarating.

But once out of sight of those fearful precincts, the psalm was forgotten, and again broke, loud, clear, and silvery, the joyous chorus.

a chorus of crickets    a chorus of whiners

a chorus of shouts and catcalls

So far, more than a dozen EU countries have either enacted a windfall tax or said they’re planning to. […] On Monday, US President Joe Biden joined the chorus, accusing oil companies of “war profiteering” and threatening them with big new levies if they fail to bring down consumer prices.

On Friday, 75 scholars and clinicians signed an open letter, joining a chorus of disagreement with Berenson by arguing that “establishing marijuana as a causal link to violence at the individual level is both theoretically and empirically problematic”.

The catchiest part of most songs is the chorus.

Of additional interest is the riff in the second chorus, which was later copied by Joe Garland and recorded by the Glenn Miller Orchestra as "In the Mood," becoming the biggest hit of the Swing Era.