Last Updated:2025/12/07

The playwright insisted on the unity of action, cutting subplots to keep the narrative tightly focused.

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The playwright insisted on the unity of action, cutting subplots to keep the narrative tightly focused.

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劇作家は、劇が一つの主要な筋に従い、副筋を最小限にするという古典的な規範である行為の統一を主張し、サブプロットを削って物語を引き締めた。

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