Last Updated:2025/12/05

The composer wove the BACH motif into the finale, a short sequence of B-flat, A, C, and B natural that haunted the main theme.

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The composer wove the BACH motif into the finale, a short sequence of B-flat, A, C, and B natural that haunted the main theme.

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作曲家はフィナーレにB♭、A、C、B(ナチュラル)からなるモチーフを織り込み、その短い音列が主題に不気味な余韻を残した。

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