Last Updated:2025/11/27

In the sonata, the composer unexpectedly introduced a Neapolitan chord to heighten the tension before the final cadence.

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In the sonata, the composer unexpectedly introduced a Neapolitan chord to heighten the tension before the final cadence.

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そのソナタでは、作曲家が最後の終止に入る前の緊張感を高めるために、第2音を半音下げて根音とした長三和音(♭II)を予期せず導入した。

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