Last Updated:2025/11/27

The harpsichordist tuned the instrument to a meantone so the major thirds would sound more consonant in the keys she favored.

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The harpsichordist tuned the instrument to a meantone so the major thirds would sound more consonant in the keys she favored.

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チェンバロ奏者は、完全五度を調整して積み重ねることで非八度の音程を作り、長三度と短三度の大きさを選んでシントニック・コンマを一致させるという音律に調律したため、彼女が好んだ調では長三度がより調和して聞こえた。

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