Last Updated:2025/11/27

The pianist resolved the passage by moving the tension-filled chord into third inversion, where the seventh created a haunting bass line.

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The pianist resolved the passage by moving the tension-filled chord into third inversion, where the seventh created a haunting bass line.

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ピアニストは、その緊張感のある和音を七度が最低音になっているセブンスコードの配置に移すことでフレーズを解決し、印象的な低音を生み出した。

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