Last Updated:2025/11/20

The composer used a deceptive cadence at the end of the phrase to surprise the listeners by resolving to the submediant instead of the tonic.

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The composer used a deceptive cadence at the end of the phrase to surprise the listeners by resolving to the submediant instead of the tonic.

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作曲家はフレーズの終わりに偽終止を用いて、本来ドミナントがトニックに解決するはずのところを下属の和音(通常は第六度の和音)に解決させて聴衆を驚かせた。

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