Last Updated：2025/11/20
The critic argued that the painter's late works were dominated by mannerism, sacrificing classical harmony for exaggerated poses and unsettling expressiveness.
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The critic argued that the painter's late works were dominated by mannerism, sacrificing classical harmony for exaggerated poses and unsettling expressiveness.
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批評家は画家の晩年の作品が、16世紀後半の華美で前バロック的な文体に支配され、古典的な調和を犠牲にして誇張されたポーズや不穏な表現を用いていると主張した。
