carton-pierre

There were, indeed, high-backed Dutch chairs of the seventeenth century; there was a sculptured carved buffet of the sixteenth; there was a sideboard robbed out of the carved work of a church in the Low Countries, and a large brass cathedral lamp over the round oak table; there were old family portraits from Wardour Street and tapestry from France, bits of armour, double-handed swords and battle-axes made of carton-pierre, looking-glasses, statuettes of saints, and Dresden china—nothing, in a word, could be chaster.